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Quiet Dignity, 2020
Oil painting on canvas.
"Quiet Dignity" is a striking portrait of an older Black man from Bermuda, highlighting the dignity and resilience of working-class life in a colonized context. Dressed in a well-worn denim jacket and black beret, the man’s attire links him to the Black Berets, a group that has long represented political resistance and solidarity in Bermuda. His serene expression and the careful play of light and shadow in the painting bring attention to his lived experience, capturing both his personal strength and the collective resilience of Black labor in the island’s history. This portrait honors the individual’s journey while recognizing the broader cultural and political contributions of the Bermudian working class.
"Quiet Dignity" is a striking portrait of an older Black man from Bermuda, highlighting the dignity and resilience of working-class life in a colonized context. Dressed in a well-worn denim jacket and black beret, the man’s attire links him to the Black Berets, a group that has long represented political resistance and solidarity in Bermuda. His serene expression and the careful play of light and shadow in the painting bring attention to his lived experience, capturing both his personal strength and the collective resilience of Black labor in the island’s history. This portrait honors the individual’s journey while recognizing the broader cultural and political contributions of the Bermudian working class.


Spark of a Revolution, 2018
Oil painting on canvas.
"Spark of a Revolution" powerfully speaks to contemporary resistance in the face of media-induced apathy. The painting captures a moment of awakening, where a Black man is guided by two figures—a Black woman and a teenage boy—toward a path of consciousness. As they move through a sea of others consumed by media distraction, the piece emphasizes the importance of conscious leadership, intergenerational solidarity, and mutual support in the struggle for clarity and truth. Sutton's painting calls for a collective effort to deepen radical awareness, highlighting the strength of community-led transformation and the urgent necessity for collective awakening.
"Spark of a Revolution" powerfully speaks to contemporary resistance in the face of media-induced apathy. The painting captures a moment of awakening, where a Black man is guided by two figures—a Black woman and a teenage boy—toward a path of consciousness. As they move through a sea of others consumed by media distraction, the piece emphasizes the importance of conscious leadership, intergenerational solidarity, and mutual support in the struggle for clarity and truth. Sutton's painting calls for a collective effort to deepen radical awareness, highlighting the strength of community-led transformation and the urgent necessity for collective awakening.


Imperialism: A Portrait of Elder Adunni Tobasi, 2001
Oil painting on canvas.
In "Imperialism," Sutton explores the tension between authority, tradition, and agency. The elderly Black woman at the center exudes spiritual wisdom and regal dignity, adorned in intricately designed green and gold attire that represents her African heritage. An open Bible rests beside her, symbolizing the complex legacy of Christian colonial influence. Sutton's masterful use of light and shadow emphasizes the woman's presence and the rich details of her attire, inviting reflection on the enduring strength of cultural identity and the ways in which imperialism has shaped African spiritual traditions.
In "Imperialism," Sutton explores the tension between authority, tradition, and agency. The elderly Black woman at the center exudes spiritual wisdom and regal dignity, adorned in intricately designed green and gold attire that represents her African heritage. An open Bible rests beside her, symbolizing the complex legacy of Christian colonial influence. Sutton's masterful use of light and shadow emphasizes the woman's presence and the rich details of her attire, inviting reflection on the enduring strength of cultural identity and the ways in which imperialism has shaped African spiritual traditions.


Sanctuary, 2017
Oil painting on canvas.
Sutton's "Sanctuary" is a haunting depiction of vulnerability, family, and the elusive search for refuge. Set at the imposing doors of a grand church, a family is captured in a moment of uncertainty, embodying exhaustion and doubt. The father’s ambiguous gesture near the doors speaks to his internal struggle, while the mother’s protective embrace of her infant and the older child's fearful gaze reflect the emotional toll of their journey. The closed, intricate church doors represent the stark barrier between the harsh world outside and the uncertain hope of sanctuary within. Sutton’s use of muted tones, soft brushwork, and the delicate play of light and shadow intensify the emotional impact, drawing attention to the family’s plight and the universal longing for safety and refuge.
Sutton's "Sanctuary" is a haunting depiction of vulnerability, family, and the elusive search for refuge. Set at the imposing doors of a grand church, a family is captured in a moment of uncertainty, embodying exhaustion and doubt. The father’s ambiguous gesture near the doors speaks to his internal struggle, while the mother’s protective embrace of her infant and the older child's fearful gaze reflect the emotional toll of their journey. The closed, intricate church doors represent the stark barrier between the harsh world outside and the uncertain hope of sanctuary within. Sutton’s use of muted tones, soft brushwork, and the delicate play of light and shadow intensify the emotional impact, drawing attention to the family’s plight and the universal longing for safety and refuge.


A Cry for Justice, 2019
Oil painting on canvas.
A Cry for Justice is a poignant portrait capturing the tragic end of Khalif Browder’s life—a young man who took his own life after enduring years of wrongful incarceration and brutal victimization within the carceral system. The painting depicts Browder standing on a street in the Bronx, embodying the space between his harrowing past and an uncertain future. Two cherubs stand beside him, evoking innocence and offering protection amidst the weight of his suffering. Sutton’s blend of realism and abstraction underscores the isolation and despair that plagued Browder. This poignant portrait not only honors his life and untimely death but serves as a powerful call for systemic change, addressing the enduring need for justice in the criminal justice system.
A Cry for Justice is a poignant portrait capturing the tragic end of Khalif Browder’s life—a young man who took his own life after enduring years of wrongful incarceration and brutal victimization within the carceral system. The painting depicts Browder standing on a street in the Bronx, embodying the space between his harrowing past and an uncertain future. Two cherubs stand beside him, evoking innocence and offering protection amidst the weight of his suffering. Sutton’s blend of realism and abstraction underscores the isolation and despair that plagued Browder. This poignant portrait not only honors his life and untimely death but serves as a powerful call for systemic change, addressing the enduring need for justice in the criminal justice system.


Christ of Alabama, 2008
Oil painting on canvas.
Christ of Alabama is a deeply emotional reimagining of Michelangelo's Pietà, focusing on the racial violence and redemption within Black communities. The scene portrays a Black man being carefully lowered from a lynching tree, symbolizing the crucified Christ. Three figures, engaged in this act of reverence and care, evoke communal solidarity and resilience in the face of injustice. The painting merges historical suffering with a call for redemption, using Michelangelo’s classic composition to reflect the enduring fight for justice and unity.
Christ of Alabama is a deeply emotional reimagining of Michelangelo's Pietà, focusing on the racial violence and redemption within Black communities. The scene portrays a Black man being carefully lowered from a lynching tree, symbolizing the crucified Christ. Three figures, engaged in this act of reverence and care, evoke communal solidarity and resilience in the face of injustice. The painting merges historical suffering with a call for redemption, using Michelangelo’s classic composition to reflect the enduring fight for justice and unity.


Rescue from Manifest Destiny, 2019
Oil painting on canvas.


Betina, 2020
Oil painting on canvas.


The Platform, 2018
Oil painting on canvas.


Portrait of Mrs. Allers, 2019
Oil painting on canvas.


Portrait of Zubad, 2024
This portrait celebrates the complexity of Black identity. The subject, a young Black Sudanese man, gazes contemplatively into the distance, embodying resilience and introspection. The rich earth-toned background frames the figure, while the vibrant green jacket reflects a connection to life and growth. The piece invites the viewer to engage with the emotional depth and humanity of Black representation in art.


Exodus, 2007
Oil painting on canvas.


Quiet Dignity, 2020
Oil painting on canvas.
"Quiet Dignity" is a striking portrait of an older Black man from Bermuda, highlighting the dignity and resilience of working-class life in a colonized context. Dressed in a well-worn denim jacket and black beret, the man’s attire links him to the Black Berets, a group that has long represented political resistance and solidarity in Bermuda. His serene expression and the careful play of light and shadow in the painting bring attention to his lived experience, capturing both his personal strength and the collective resilience of Black labor in the island’s history. This portrait honors the individual’s journey while recognizing the broader cultural and political contributions of the Bermudian working class.
"Quiet Dignity" is a striking portrait of an older Black man from Bermuda, highlighting the dignity and resilience of working-class life in a colonized context. Dressed in a well-worn denim jacket and black beret, the man’s attire links him to the Black Berets, a group that has long represented political resistance and solidarity in Bermuda. His serene expression and the careful play of light and shadow in the painting bring attention to his lived experience, capturing both his personal strength and the collective resilience of Black labor in the island’s history. This portrait honors the individual’s journey while recognizing the broader cultural and political contributions of the Bermudian working class.


Spark of a Revolution, 2018
Oil painting on canvas.
"Spark of a Revolution" powerfully speaks to contemporary resistance in the face of media-induced apathy. The painting captures a moment of awakening, where a Black man is guided by two figures—a Black woman and a teenage boy—toward a path of consciousness. As they move through a sea of others consumed by media distraction, the piece emphasizes the importance of conscious leadership, intergenerational solidarity, and mutual support in the struggle for clarity and truth. Sutton's painting calls for a collective effort to deepen radical awareness, highlighting the strength of community-led transformation and the urgent necessity for collective awakening.
"Spark of a Revolution" powerfully speaks to contemporary resistance in the face of media-induced apathy. The painting captures a moment of awakening, where a Black man is guided by two figures—a Black woman and a teenage boy—toward a path of consciousness. As they move through a sea of others consumed by media distraction, the piece emphasizes the importance of conscious leadership, intergenerational solidarity, and mutual support in the struggle for clarity and truth. Sutton's painting calls for a collective effort to deepen radical awareness, highlighting the strength of community-led transformation and the urgent necessity for collective awakening.


Imperialism: A Portrait of Elder Adunni Tobasi, 2001
Oil painting on canvas.
In "Imperialism," Sutton explores the tension between authority, tradition, and agency. The elderly Black woman at the center exudes spiritual wisdom and regal dignity, adorned in intricately designed green and gold attire that represents her African heritage. An open Bible rests beside her, symbolizing the complex legacy of Christian colonial influence. Sutton's masterful use of light and shadow emphasizes the woman's presence and the rich details of her attire, inviting reflection on the enduring strength of cultural identity and the ways in which imperialism has shaped African spiritual traditions.
In "Imperialism," Sutton explores the tension between authority, tradition, and agency. The elderly Black woman at the center exudes spiritual wisdom and regal dignity, adorned in intricately designed green and gold attire that represents her African heritage. An open Bible rests beside her, symbolizing the complex legacy of Christian colonial influence. Sutton's masterful use of light and shadow emphasizes the woman's presence and the rich details of her attire, inviting reflection on the enduring strength of cultural identity and the ways in which imperialism has shaped African spiritual traditions.


Sanctuary, 2017
Oil painting on canvas.
Sutton's "Sanctuary" is a haunting depiction of vulnerability, family, and the elusive search for refuge. Set at the imposing doors of a grand church, a family is captured in a moment of uncertainty, embodying exhaustion and doubt. The father’s ambiguous gesture near the doors speaks to his internal struggle, while the mother’s protective embrace of her infant and the older child's fearful gaze reflect the emotional toll of their journey. The closed, intricate church doors represent the stark barrier between the harsh world outside and the uncertain hope of sanctuary within. Sutton’s use of muted tones, soft brushwork, and the delicate play of light and shadow intensify the emotional impact, drawing attention to the family’s plight and the universal longing for safety and refuge.
Sutton's "Sanctuary" is a haunting depiction of vulnerability, family, and the elusive search for refuge. Set at the imposing doors of a grand church, a family is captured in a moment of uncertainty, embodying exhaustion and doubt. The father’s ambiguous gesture near the doors speaks to his internal struggle, while the mother’s protective embrace of her infant and the older child's fearful gaze reflect the emotional toll of their journey. The closed, intricate church doors represent the stark barrier between the harsh world outside and the uncertain hope of sanctuary within. Sutton’s use of muted tones, soft brushwork, and the delicate play of light and shadow intensify the emotional impact, drawing attention to the family’s plight and the universal longing for safety and refuge.


A Cry for Justice, 2019
Oil painting on canvas.
A Cry for Justice is a poignant portrait capturing the tragic end of Khalif Browder’s life—a young man who took his own life after enduring years of wrongful incarceration and brutal victimization within the carceral system. The painting depicts Browder standing on a street in the Bronx, embodying the space between his harrowing past and an uncertain future. Two cherubs stand beside him, evoking innocence and offering protection amidst the weight of his suffering. Sutton’s blend of realism and abstraction underscores the isolation and despair that plagued Browder. This poignant portrait not only honors his life and untimely death but serves as a powerful call for systemic change, addressing the enduring need for justice in the criminal justice system.
A Cry for Justice is a poignant portrait capturing the tragic end of Khalif Browder’s life—a young man who took his own life after enduring years of wrongful incarceration and brutal victimization within the carceral system. The painting depicts Browder standing on a street in the Bronx, embodying the space between his harrowing past and an uncertain future. Two cherubs stand beside him, evoking innocence and offering protection amidst the weight of his suffering. Sutton’s blend of realism and abstraction underscores the isolation and despair that plagued Browder. This poignant portrait not only honors his life and untimely death but serves as a powerful call for systemic change, addressing the enduring need for justice in the criminal justice system.


Christ of Alabama, 2008
Oil painting on canvas.
Christ of Alabama is a deeply emotional reimagining of Michelangelo's Pietà, focusing on the racial violence and redemption within Black communities. The scene portrays a Black man being carefully lowered from a lynching tree, symbolizing the crucified Christ. Three figures, engaged in this act of reverence and care, evoke communal solidarity and resilience in the face of injustice. The painting merges historical suffering with a call for redemption, using Michelangelo’s classic composition to reflect the enduring fight for justice and unity.
Christ of Alabama is a deeply emotional reimagining of Michelangelo's Pietà, focusing on the racial violence and redemption within Black communities. The scene portrays a Black man being carefully lowered from a lynching tree, symbolizing the crucified Christ. Three figures, engaged in this act of reverence and care, evoke communal solidarity and resilience in the face of injustice. The painting merges historical suffering with a call for redemption, using Michelangelo’s classic composition to reflect the enduring fight for justice and unity.


Rescue from Manifest Destiny, 2019
Oil painting on canvas.


Betina, 2020
Oil painting on canvas.


The Platform, 2018
Oil painting on canvas.


Portrait of Mrs. Allers, 2019
Oil painting on canvas.


Portrait of Zubad, 2024
This portrait celebrates the complexity of Black identity. The subject, a young Black Sudanese man, gazes contemplatively into the distance, embodying resilience and introspection. The rich earth-toned background frames the figure, while the vibrant green jacket reflects a connection to life and growth. The piece invites the viewer to engage with the emotional depth and humanity of Black representation in art.


Exodus, 2007
Oil painting on canvas.


Quiet Dignity, 2020
Oil painting on canvas.
"Quiet Dignity" is a striking portrait of an older Black man from Bermuda, highlighting the dignity and resilience of working-class life in a colonized context. Dressed in a well-worn denim jacket and black beret, the man’s attire links him to the Black Berets, a group that has long represented political resistance and solidarity in Bermuda. His serene expression and the careful play of light and shadow in the painting bring attention to his lived experience, capturing both his personal strength and the collective resilience of Black labor in the island’s history. This portrait honors the individual’s journey while recognizing the broader cultural and political contributions of the Bermudian working class.
"Quiet Dignity" is a striking portrait of an older Black man from Bermuda, highlighting the dignity and resilience of working-class life in a colonized context. Dressed in a well-worn denim jacket and black beret, the man’s attire links him to the Black Berets, a group that has long represented political resistance and solidarity in Bermuda. His serene expression and the careful play of light and shadow in the painting bring attention to his lived experience, capturing both his personal strength and the collective resilience of Black labor in the island’s history. This portrait honors the individual’s journey while recognizing the broader cultural and political contributions of the Bermudian working class.


Spark of a Revolution, 2018
Oil painting on canvas.
"Spark of a Revolution" powerfully speaks to contemporary resistance in the face of media-induced apathy. The painting captures a moment of awakening, where a Black man is guided by two figures—a Black woman and a teenage boy—toward a path of consciousness. As they move through a sea of others consumed by media distraction, the piece emphasizes the importance of conscious leadership, intergenerational solidarity, and mutual support in the struggle for clarity and truth. Sutton's painting calls for a collective effort to deepen radical awareness, highlighting the strength of community-led transformation and the urgent necessity for collective awakening.
"Spark of a Revolution" powerfully speaks to contemporary resistance in the face of media-induced apathy. The painting captures a moment of awakening, where a Black man is guided by two figures—a Black woman and a teenage boy—toward a path of consciousness. As they move through a sea of others consumed by media distraction, the piece emphasizes the importance of conscious leadership, intergenerational solidarity, and mutual support in the struggle for clarity and truth. Sutton's painting calls for a collective effort to deepen radical awareness, highlighting the strength of community-led transformation and the urgent necessity for collective awakening.


Imperialism: A Portrait of Elder Adunni Tobasi, 2001
Oil painting on canvas.
In "Imperialism," Sutton explores the tension between authority, tradition, and agency. The elderly Black woman at the center exudes spiritual wisdom and regal dignity, adorned in intricately designed green and gold attire that represents her African heritage. An open Bible rests beside her, symbolizing the complex legacy of Christian colonial influence. Sutton's masterful use of light and shadow emphasizes the woman's presence and the rich details of her attire, inviting reflection on the enduring strength of cultural identity and the ways in which imperialism has shaped African spiritual traditions.
In "Imperialism," Sutton explores the tension between authority, tradition, and agency. The elderly Black woman at the center exudes spiritual wisdom and regal dignity, adorned in intricately designed green and gold attire that represents her African heritage. An open Bible rests beside her, symbolizing the complex legacy of Christian colonial influence. Sutton's masterful use of light and shadow emphasizes the woman's presence and the rich details of her attire, inviting reflection on the enduring strength of cultural identity and the ways in which imperialism has shaped African spiritual traditions.


Sanctuary, 2017
Oil painting on canvas.
Sutton's "Sanctuary" is a haunting depiction of vulnerability, family, and the elusive search for refuge. Set at the imposing doors of a grand church, a family is captured in a moment of uncertainty, embodying exhaustion and doubt. The father’s ambiguous gesture near the doors speaks to his internal struggle, while the mother’s protective embrace of her infant and the older child's fearful gaze reflect the emotional toll of their journey. The closed, intricate church doors represent the stark barrier between the harsh world outside and the uncertain hope of sanctuary within. Sutton’s use of muted tones, soft brushwork, and the delicate play of light and shadow intensify the emotional impact, drawing attention to the family’s plight and the universal longing for safety and refuge.
Sutton's "Sanctuary" is a haunting depiction of vulnerability, family, and the elusive search for refuge. Set at the imposing doors of a grand church, a family is captured in a moment of uncertainty, embodying exhaustion and doubt. The father’s ambiguous gesture near the doors speaks to his internal struggle, while the mother’s protective embrace of her infant and the older child's fearful gaze reflect the emotional toll of their journey. The closed, intricate church doors represent the stark barrier between the harsh world outside and the uncertain hope of sanctuary within. Sutton’s use of muted tones, soft brushwork, and the delicate play of light and shadow intensify the emotional impact, drawing attention to the family’s plight and the universal longing for safety and refuge.


A Cry for Justice, 2019
Oil painting on canvas.
A Cry for Justice is a poignant portrait capturing the tragic end of Khalif Browder’s life—a young man who took his own life after enduring years of wrongful incarceration and brutal victimization within the carceral system. The painting depicts Browder standing on a street in the Bronx, embodying the space between his harrowing past and an uncertain future. Two cherubs stand beside him, evoking innocence and offering protection amidst the weight of his suffering. Sutton’s blend of realism and abstraction underscores the isolation and despair that plagued Browder. This poignant portrait not only honors his life and untimely death but serves as a powerful call for systemic change, addressing the enduring need for justice in the criminal justice system.
A Cry for Justice is a poignant portrait capturing the tragic end of Khalif Browder’s life—a young man who took his own life after enduring years of wrongful incarceration and brutal victimization within the carceral system. The painting depicts Browder standing on a street in the Bronx, embodying the space between his harrowing past and an uncertain future. Two cherubs stand beside him, evoking innocence and offering protection amidst the weight of his suffering. Sutton’s blend of realism and abstraction underscores the isolation and despair that plagued Browder. This poignant portrait not only honors his life and untimely death but serves as a powerful call for systemic change, addressing the enduring need for justice in the criminal justice system.


Christ of Alabama, 2008
Oil painting on canvas.
Christ of Alabama is a deeply emotional reimagining of Michelangelo's Pietà, focusing on the racial violence and redemption within Black communities. The scene portrays a Black man being carefully lowered from a lynching tree, symbolizing the crucified Christ. Three figures, engaged in this act of reverence and care, evoke communal solidarity and resilience in the face of injustice. The painting merges historical suffering with a call for redemption, using Michelangelo’s classic composition to reflect the enduring fight for justice and unity.
Christ of Alabama is a deeply emotional reimagining of Michelangelo's Pietà, focusing on the racial violence and redemption within Black communities. The scene portrays a Black man being carefully lowered from a lynching tree, symbolizing the crucified Christ. Three figures, engaged in this act of reverence and care, evoke communal solidarity and resilience in the face of injustice. The painting merges historical suffering with a call for redemption, using Michelangelo’s classic composition to reflect the enduring fight for justice and unity.


Rescue from Manifest Destiny, 2019
Oil painting on canvas.


Betina, 2020
Oil painting on canvas.


The Platform, 2018
Oil painting on canvas.


Portrait of Mrs. Allers, 2019
Oil painting on canvas.


Portrait of Zubad, 2024
This portrait celebrates the complexity of Black identity. The subject, a young Black Sudanese man, gazes contemplatively into the distance, embodying resilience and introspection. The rich earth-toned background frames the figure, while the vibrant green jacket reflects a connection to life and growth. The piece invites the viewer to engage with the emotional depth and humanity of Black representation in art.


Exodus, 2007
Oil painting on canvas.
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